9.28.2011

Surveillance is Creepy

I'm a huge fan of Hitchcock's film Rear Window. I saw it years ago and have always loved the movie. The premise is great, I love the actors, and I can relate to watching other people. I used to sit in Central Park for hours watching the tourists. I like to eat in crowded places so that I can observe other diners while they eat. Everything is fascinating, from how they hold their forks, to their body language, and even their conversations. My eavesdropping skills are great. So with my love of creeping, I just figured I would enjoy taking photos of unknowing subjects.

But I didn't. In reality, I felt horrible about capturing people's small moments on camera. I guess it's one thing to watch a personal moment and another to keep it for eternity. To me it seemed like I was stealing their moment, and I felt even worse about it because I knew it would be posted on the internet. I hope my unknowing subjects don't mind.

Some poor soul working out. And being photographed.

I think you can call my process surveillance. Though Philip E. Agre probably wouldn't. I didn't have any "consciously planned-out malevolent aims of a specifically political nature," though maybe that's something I'll work on for the future. I was watching people, and most didn't know I was watching. I didn't disrupt their days, sometimes I was high above my subject or just off in a corner, but I was generally not obvious to them. And I think I got some interesting photos. Maybe my skills need a little refining, but it's a work in progress. I did get a lot of reactions once people saw me. Some people saw the camera and smiled or posed, but plenty of others scowled, turned around, or just looked questioningly toward me. I wasn't shocked about the surprised looks, but it was interesting to me. Richard Woodward, in his article "Dare to be Famous: Self-Exploitation and the Camera" seems to think that photography of everything is just a normal part of life that we've adjusted to. I'd say that's probably true, but he definitely focuses on self-surveillance, and it left me wondering if I would have gotten surprised looks if I knew the people I was photographing or if I was using a camera phone instead. At this point, and with my audience of college students, camera phones are significantly more common than actual cameras. So was it the photography or was it the strange device I was using to take photos?

I'll think about it, and plan out my malevolent political goals, and get back to you. 

1 comment:

  1. Your series is fairly cohesive, but the multiples of same person and those where people are looking at the camera and giving a weak grin diminish the impact of your series. We'd suggest making more of these photos on various days then selecting only those that have superlative light, composition and where people are definitely oblivious to the camera. The nocturnal light quality makes these more compelling.

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